Anachronism in the Luxembourg Bootleg 1983 and other discoveries

[rmarques821]

Brunno I was counting on your opinion in the Bootlegs thread I started a few weeks ago. But I was more concerned with good quality concerts recorded from a console. It would be fun to propose and arrange such a list with absolute bootleg classics that you must have.

But the topic didn't get much attention I don't know why

https://www.amarkintime.org/forum/index.php?topic=8979.0

Because you were asking for soundboard bootlegs, which are very few and everyone knows them, so there isn't much to discuss.
As for audience tapes, that's another cookie. I mean, Vienna 83 or Stuttgart 85, for example, are as good as any soundboard concert.

[Robson]

Brunno I was counting on your opinion in the Bootlegs thread I started a few weeks ago. But I was more concerned with good quality concerts recorded from a console. It would be fun to propose and arrange such a list with absolute bootleg classics that you must have.

But the topic didn't get much attention I don't know why

https://www.amarkintime.org/forum/index.php?topic=8979.0

Because you were asking for soundboard bootlegs, which are very few and everyone knows them, so there isn't much to discuss.
As for audience tapes, that's another cookie. I mean, Vienna 83 or Stuttgart 85, for example, are as good as any soundboard concert.

Right. I accept the argument Not necessarily a console but are as good as any soundboard concert.

Vienna 83 or Stuttgart 85   

[JF]

sometimes a sounboard recording can be worse than an audience one

for example Cleveland 85 has an awful sound/mix

[Brunno Nunes]

Brunno I was counting on your opinion in the Bootlegs thread I started a few weeks ago. But I was more concerned with good quality concerts recorded from a console. It would be fun to propose and arrange such a list with absolute bootleg classics that you must have.

But the topic didn't get much attention I don't know why

https://www.amarkintime.org/forum/index.php?topic=8979.0

Because you were asking for soundboard bootlegs, which are very few and everyone knows them, so there isn't much to discuss.
As for audience tapes, that's another cookie. I mean, Vienna 83 or Stuttgart 85, for example, are as good as any soundboard concert.

I confess that I hadn't seen your topic, but I agree with what was mentioned here. If we are talking about audience bootlegs, there are precious moments that are worth gold in every tour, but, always subjective to each person's taste, on the other hand, there is a very interesting counterbalance which is the historical character that defines the importance of the event (bootleg), for example, Boston 79, or Roundhouse 78 because they have exclusive songs, which are rarely or never repeated like In My Car, Me and My Friends, Move it away, from (Birmingham Barbarella's, 4th July 1978), versions with curious errors like the version of Sultans of Swing, where Mark makes a curious mistake and manages to solve it in an interesting way with the band, present in the bootleg Copenhagen- 8.11.79, or the curious version of Solid Rock in Uniondale 1992 28.02.92 with the missing synthesizer introduction, in the format of the original formation, versions from 79... Anyway, these are some examples of what we can analyze.

[the visitor]

Always fascinated by your posts Brunno and detailed analysis of the audio...much appreciated 👏

[rmarques821]

Brunno I was counting on your opinion in the Bootlegs thread I started a few weeks ago. But I was more concerned with good quality concerts recorded from a console. It would be fun to propose and arrange such a list with absolute bootleg classics that you must have.

But the topic didn't get much attention I don't know why

https://www.amarkintime.org/forum/index.php?topic=8979.0

Because you were asking for soundboard bootlegs, which are very few and everyone knows them, so there isn't much to discuss.
As for audience tapes, that's another cookie. I mean, Vienna 83 or Stuttgart 85, for example, are as good as any soundboard concert.

I confess that I hadn't seen your topic, but I agree with what was mentioned here. If we are talking about audience bootlegs, there are precious moments that are worth gold in every tour, but, always subjective to each person's taste, on the other hand, there is a very interesting counterbalance which is the historical character that defines the importance of the event (bootleg), for example, Boston 79, or Roundhouse 78 because they have exclusive songs, which are rarely or never repeated like In My Car, Me and My Friends, Move it away, from (Birmingham Barbarella's, 4th July 1978), versions with curious errors like the version of Sultans of Swing, where Mark makes a curious mistake and manages to solve it in an interesting way with the band, present in the bootleg Copenhagen- 8.11.79, or the curious version of Solid Rock in Uniondale 1992 28.02.92 with the missing synthesizer introduction, in the format of the original formation, versions from 79... Anyway, these are some examples of what we can analyze.

I'm pretty sure he was drunk during that Copenhagen gig. I remember an interview with him where he was refleting on the 78/79 period and said something like "doesn't matter whether you had too many pints in Denmark or ... "