Making Movies is full of contrasts. How is this possible? It starts with an earthquake and ends with a song from a completely different world.
Yes, it is full of contrasts, but that's somehow the case with almost every DS/MK album, I think. The most consistent ones are maybe DS, LOG, and later STP and KTGC.
Les Boys doesn't fit in with the whole record, both the music and the topic are very different. I guess he's always been experimenting with very different styles, going from one phase to the next, whether it's a waltz, a twist or a polka.