Regarding the placement of the bridge inlay: The Golden Ratio
Haha, that's of course a perfect way to describe it. I let ChatGPT write an article explaining the choice:
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In crafting the guitar neck inlay with a slightly offset design, the deliberate incorporation of the Golden Ratio serves as a meticulously calculated decision rooted in the pursuit of aesthetic excellence and harmonic balance. The inherent allure of the Golden Ratio, with its mathematical precision and divine proportion, resonates seamlessly with the timeless elegance sought in instrument design. By strategically situating the inlay in a subtly asymmetric arrangement along the fretboard, an intentional departure from conventional symmetry is introduced. This departure not only captures the discerning eye but also stimulates a subconscious appreciation for proportionality in the observer. The offset design, intricately aligned with the Golden Ratio, thus becomes a poignant visual symphony, elevating the instrument beyond mere functionality to an artistic masterpiece that harmonizes both form and function with a meticulous balance that echoes the eternal beauty inherent in the Fibonacci sequence.
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What about the bridge on the 14th fret tho? I actually like this idea. Not only does the body of a guitar act as water and make the bridge a lot more visible and pop, but the fact that the inlay is on the 14th fret, against all rules of guitar design (after all, the inlay is supposed to be on the 12th fret) signifies Mark's outstanding capability of braking any rules and going his own way. Also would make an awesome presentation. See, it's easy to justify anything.