I don't have any problem with the marketing, name, and concept of the whole thing. After listening to it about 20 times, I must admit that I totally love it. For me, these are some of the highlights:
- Jeff Beck intro, obviously.
- Mark playing the intro, and some other parts of the song.
- Clever how they extended the intro and kept it interesting (e.g. replacing Bm6/G# with E7)
- Some of the instantly recognizable licks from Clapton and Gilmour.
- I think at the start of the song we hear Ianto, and later on Ringo blends in? (a bit weird at 6:00 where the hi-hat comes in)
- 4:30 - 4:38, I don't know who it is, but it's just beautiful.
- 5:30 - 5:38, I love how this acoustic guitar comes in.
- 5:52 - 6:30, the slide guitar (Sonny Landreth, I think) is just amazing.
- 7:32, when Satriani comes in with a new melody and kicks off the final part of the song.
- Nice how they weren't afraid to change the progression of the song a bit in the final part (around 7:58 - 8:10 and on)
- The drum fill at 9:28 - 9:31 totally doesn't make sense 🤣
Mixing this must have been a nightmare, but given how much criticism Guy always gets, I think he did a marvelous job putting this thing together. I downloaded the 96/24 file (and ordered the LP), and it sounds great. You can say anything about his mixes, but they're definitely recognizable, especially the drums. The only thing I don't understand is that he sometimes ignores the harsh sound of Mark's clean tone. In this song, it's the F# on the fifth string (7th fret). Listen at 0:46. It almost hurts when I play the song loud. I know he does it intentionally (characteristics, no EQ, etc.), but I can play Chuck mixes as loud as I want and never be triggered by a specific painful note/tone.