Kemper or not: the song is ok, but Mark plays the same licks in "autopilot mode" as so often, so I'm not so convinced.
As for the sound, Mark already had this somewhat rough sound since about 2005, which is not clean enough for me - even when he didn't use Kemper amps. This may be due to the fact that his signature Strat has Texas Special pickups in it (which always surprised me, since he never wanted to achieve a sound like SRV) and that he uses different amps than he used to.I like the earlier sound better, but that's a matter of taste.
Also: I admire anyone who can actually recognize a Kemper in a big concert hall with often bad sound and lots of ambient noise.
At least in Berlin the acoustics were generally - as so often - so mediocre that you couldn't hear much at all out of the sound mush...
Live is when/where you can hear the kemper difference mostly.
In a recording the sound is compressed and the difference is much smaller.
I heard it live in Milan which has an excellent sound for an indoor sports venue
and in Verona where the acoustics is great and is really close to the Royal Albert Hall.
During Money for Nothing in Verona the sound was so bad that I almost wanted to go out, first time ever since 1992.
I still enjoyed because it was Mark, because it was MFN and because it was Verona,
but I can assure you his guitar sound was bad.