Im surprised there isn't more Kemper lover here, especially with MK using them and personally I thought that was his best live sound since the Soldano days
I now use mine exclusively after years of using valve amps, including Soldano and cant see why I would ever go back.
Ah well, I assumed there may be a bank of MK type tones floating around here.
Big fan though so i'll be sticking around and may even share the odd cover if that's ok
I'd love to try Kemper amp, but the thing is I just can't afford one, as well as a decent guitar to go along with it, and I think this is the only reason there are not so many Kemper lovers here
Also, Mark is not exactly famous for his settings, for this Money For Nothing tone he got lucky with a seemingly "wrong" configuration of microphone placement and somebody suggested using a fixed WAH pedal in it. So it's trial and error, more so than for some other guitar players, whee you can dial in exactly THE sound. The exact delay duration for Hank Marvin, the exact pedal configuration for Gilmour, the exact phase/pickup configuration for B. May, you name it...
In Mark's sound, to me, the configuration is like this: play real good, use really good guitar and a really good amp, get a little bit close to the desired sound, but not too much.