Everybody's opinion ofcourse
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But I disagree that what Ian does is boring or not good. I'm an drummer as well for 18 years and I love what Ian does, no I'm not amazed by it, but he does it all good. And there is also an difference between live and a studio album. Usually on the album "live concert playing" is not working for the songs, thats why I also think it sounds to some people maybe boring. Live I really like Ian Thomas a lot, I have to say.
And how Ijnijn is describing it, sounds you would love to hear a lot of fills and drum changes. But then I think the albums from Mark Knopfler AND Dire Straits are drumwise not your thing. I mean after Pick Withers, all the drummers hardly did any fills or special stuff on the studio albums as what you described as "what should have been".
I think Chad Cromwell did some (Metroland, What have got to do) cool stuff. But also not so much, and thats what I think, Mark wants. Where I'm fully okey with, on the albums. Chad Cromwell is also the first drummer where it got my attention that this guy is just a metronome, like he would NEVER of his live fall out of his tempo
, pretty cool. Live he did some cool stuff as well. But thats what I think, Mark really wants and is looking for
Also on the On Every Street album, he even had a few drummers just to try out wich one he would like the best for the songs. Kind of a battle without them knowing
. And if you listen to the album now, you hardly notice it, that that was SO important. I mean yeah, maybe in Calling Elvis, but thats kind of it. And Yeah the sound of the drums, thats important and always have been in Marks career. I also love in general the drum sound in Marks music, except for Brothers in Arms, sorry I LOVE the album but I hate 80s drums
. But as example, listen to the snare drum of Danny Cummings in Cleaning my gun, love that sound
And usually when people think drums is more in the background, that is for sure the mix and usualy not the drummer.
But ofcourse this is my opinion, I don't mean it offending Ijnijn