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Author Topic: Reviews  (Read 43848 times)

Offlineshangri la 1

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Re: Reviews
« Reply #15 on: October 27, 2018, 08:19:08 AM »
meaww.com REVIEW  Media, Entertainment, Arts, WorldWide
See review here:- https://meaww.com/mark-knopfler-album-review-down-the-road-wherever-music-dire-straits

'Down The Road Wherever' review: Mark Knopfler switches gears on the ultimate long drive
By Allan Moses · Published On : 16:51 PST, 26 Oct 2018

The 14-track offering, Mark Knopfler's ninth solo studio album, is an affirmation of how well-traveled the guitarist is and he shows no signs of slowing down

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'Down The Road Wherever' review: Mark Knopfler switches gears on the ultimate long drive

Mark Knopfler is the true journeyman. From the early '80s 'Going Home' and 'The Long Road' songs to his sojourner albums like 'Last Exit to Brooklyn', 'Sailing to Philadephia', 'Privateering', 'All The Roadrunning' and 'Tracker', one thing is crystal clear - Knopfler is well-traveled and shows no signs of slowing down. And, if that doesn't cement it, his latest musical offering 'Down The Road Wherever', the guitarist and singer-songwriter's ninth solo studio album, seals the deal on the voyager's passion for songs on the road.

Due for release November 16 on Knopfler’s own British Grove Records via Blue Note, the album features 14 new songs inspired by a range of stories he tells in each track - from his early days in Deptford with the erstwhile Dire Straits, a stray soccer fan lost in a strange town to the compulsion of a musician hitching home through the snow and a man out of time in his local greasy spoon diner.

    THREE WEEKS. Have you pre-ordered your copy of 'Down The Road Wherever'? Get yours at https://t.co/tzHRcYmPHO pic.twitter.com/Xpizounp9s
    — Mark Knopfler (@MarkKnopfler) 26 October 2018

Spanning a timeline that goes decades down the road, the album celebrates his allegience to country and folk, but alo raises a toast to his British rock days with Dire Straits while dabbling generously in dreamy infusions of jazz and slow ballads. The mood change is very distinctive. Those who've followed the guitar legend for years will find that although 'Down The Road Wherever' stays true to his strong folk and roots-inflected solo ambience, the record introduces new elements of jazz, funk and even a hint of the rockier leanings of earlier days.

In fact, it was in 'Tracker', the four-time Grammy Award winning artiste's previous album in 2015, that his new friendships also began to unravel musically on his tracks, especially with saxophone cameos by Nigel Hitchcock. The English jazz musician returns to team up with Knopfler's now-regular ensemble, including Jim Cox and Guy Fletcher on keyboards, Tom Walsh on trumpet, John McCusker on fiddle, Mike McGoldrick on whistle and flute, Glenn Worf on bass, Ian ‘Ianto’ Thomas on drums and Danny Cummings on percussion.

Richard Bennett and Robbie McIntosh also feature on guitar, Trevor Mires adds some trombone notes while Imelda May, Kris Drever, Lance Ellington, Beverley Skeete and Katie Kissoon all add backing vocals. Every song is a journey and is in no hurry to tell its story. So, a listen to 'Down The Road Wherever' is one that cannot be rushed. The leading track 'Trapper Man' establishes that. Although the beat kicks in soon enough to the rhythm-driven song launching the album to a groovy start, the song actually sets the tone for some neatly-distributed surprises along the tracklist.

'Back On The Dance Floor' brings the ride back within the speed limit. A track with a name like that, and you'd be surprised at how it churns out. Slowing down to a laidback mellow pace, the trippy song offers an 80s club vibe that makes for a steady drivethrough listen.


Tipping his hat to more meandering grooves in 'Just A Boy Away From Home', Knopfler tells a neat narrative of dreamy young days in the keys-heavy composition. All songs in the album are written by Knopfler except 'Just A Boy Away From Home' on which he shares writing credits with Rodgers and Hammerstein. He cleverly uses a piece of ‘You’ll Never Walk Alone’ to spin the song’s tale of a lone Liverpool F.C. fan wandering the empty streets of Newcastle after midnight.

It's a quick U-turn in 'When You Leave', where the baritone singer takes a moment to show his exemplerary vocal skills in the balladesque romantic song. Vividly simple and sparse in its soundscape, the sax lead in the middle exudes nuances of a bright jazz ballad. 'Good On You Son', the single Knopfler launched as a teaser to the album, sees the veteran musician return to the road, this time on a bike (from the music video that he released accompanying the song).

A veteran singing from experience, the conviction to lead by example is evident with the surity in his voice. The rhythmic off-the-road sonic rampage of sax, drums and guitars, only accentuates the message - wise words from the wizened roadster in this one as he asks: "You wanna know what happiness is?"

There's background noise in 'My Bacon Roll' as a steady string note repeats on loop. The clutter of people, dishes and food, lingers long after the song moves on to a steady swing. "'Scuse me, 'scuse me. Have you got my roll? my roll? My bacon roll," you hear in the chorus line. You'd think there's more to the song, but no, Knopfler jests us with his funny side on this heavy on food track, like the ones you get in a drivethrough fast food joint - a quick toastie or a roll. A real fun listen from the man who loves his tea between songs at his live gigs.

    Behind the scenes at British Grove Studios, during the recording of 'Down The Road Wherever'. Out November 16th. Pre-order now at https://t.co/tzHRcYmPHO pic.twitter.com/qkMRd3hnOt
    — Mark Knopfler (@MarkKnopfler) 11 October 2018

And, if that doesn't make you want to hit the road and drive past endless fields through long, winding highways and into the sunset, 'Nobody Does That' will make you do just that! The beats drop heavier and the trumpets blaze boldly. The music gets "too hot" as it builds. "Nobody Does That", Knopfler affirms in the chorus but he certainly does a number in this eclectic piece. A marvellous brass segment opens up in mid-section, synth keys follow, the guitars dive in and the band just plain loses it on this roller-coaster treat.

'Drover's Road' will surprise you. Switching gears to an anthemic Western, the song reminds you of cowboys riding off into the sunset. "He likes to find his own way home," confirms Knopfler as he sings before letting his guitar unleash a haunting riff that will stay with you long after the song is over.

The song that started it all follows. 'Down the road wherever' is a line from 'One Song at a Time,' which was inspired by wise words from his friend and guitar legend Chet Atkins. 'One Song At A Time' is nostalgic as Knopfler croons: "I'm picking my way outta here, one song at a time." The track is another getaway song, but from a much earlier era.

The trip slows down to an unplugged 'Floating Away' with the background voices seamlessly blending with the simple acoustic guitar tones. 'Slow Leaner' is a piano-driven story set in a relaxed behind-the-wheel tune. "I like good things to last. I'm taking it slow," sings Knopfler. This slow-burner is his 'Hakuna Matata'.  The album nears the end of its destination as it meanders to a jive-infused, sax-laced track 'Heavy Up'. You can notice the excitement in Knopfler's guitar as he leads the playful song.

'Down The Road Wherever' wraps the journey with 'Matchstick Man', another personal memory that poignantly captures Knopfler as he was, and as he remains. The album is produced by Knopfler and Fletcher from Dire Straits, and was recorded at British Grove Studios in London. 'Down The Road Wherever' will be available via digital download, CD, double vinyl, deluxe CD with three bonus tracks and a lavish box set that will include the album on both vinyl and deluxe CD and an additional 12" vinyl EP with four bonus tracks, a 12" print of the artwork and a 12" guitar tablature of ‘Back On The Dancefloor.’


Check out the tracklist below:

1. Trapper Man

2. Back On The Dance Floor

3. Nobody’s Child

4. Just A Boy Away From Home

5. When You Leave

6. Good On You Son

7. My Bacon Roll

8. Nobody Does That

9. Drovers’ Road

10. One Song At A Time

11. Floating Away

12. Slow Learner

13. Heavy Up

14. Matchstick Man
« Last Edit: October 27, 2018, 08:24:15 AM by shangri la 1 »

OfflineRobson

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Re: Reviews
« Reply #16 on: October 27, 2018, 01:01:18 PM »
Thank you shangri la 1 :)
I know the way I can see by the moonlight
Clear as the day
Now come on woman, come follow me home

Offlinesuperval99

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Re: Reviews
« Reply #17 on: October 27, 2018, 01:27:40 PM »
Many thanks, Shangri La!     A very good review!   :)
Goin' into Tow Law....

Offlinekaleo74

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Re: Reviews
« Reply #18 on: October 27, 2018, 04:01:26 PM »
Thank you Shangri-La
If I realised that the chances were slim,
How come I'm so surprised when the tide rolled in

Offlinejerryb

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Re: Reviews
« Reply #19 on: October 27, 2018, 08:11:34 PM »
That's not a review it's a description. Too many reviews are nothing more than track by track descriptions. That's not really a review!
« Last Edit: October 29, 2018, 12:43:25 AM by jerryb »

hunter

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Re: Reviews
« Reply #20 on: October 28, 2018, 06:24:09 PM »
That's not a review it's a description. To many reviews are nothing more than track by track descriptions. That's not really a review!

Totally agree.

OfflinePottel

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Re: Reviews
« Reply #21 on: October 29, 2018, 09:20:50 AM »
we should get an "Articles" section, where everyone can scan and upload the articles they used to cut(/rip out from newspapers, magazines etc...

Like this? ;D

https://www.amarkintime.org/forum/index.php?board=16.0
lol, yes, exactly that...
any Knopfler, Floyd or Dylan will do....

OfflineRobson

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Re: Reviews
« Reply #22 on: October 30, 2018, 10:19:50 PM »
Down The Road Wherever by Mark Knopfler
Album Review
by David Schuster

It’s many an artist’s dream to be able to produce their work, unfettered by the constraints of commercialism. As one of the world’s most successful musicians, that (I imagine), is the happy situation that Mark Knopfler finds himself in. His latest album, Down The Road Wherever, comes across very strongly as the product of a man doing what he loves best, regardless of anyone else’s opinion but without self-indulgence. I like it a lot for that.

Knopfler has a relaxed way of singing lyrics as though he were telling you a story across the flames of a campfire, as illustrated by his best-known numbers with Dire Straits, ‘Romeo and Juliet’ and ‘Brothers in Arms’. The record starts and finishes with good examples of this style: ‘Trapper Man’ and ‘Matchstick Man’. The latter may well be autobiographical, but if not, he’s certainly drawing on personal experience for the opening verse; “So there he was then, Penzance to play, Christmas Eve in a nowhere band. Now early morning Christmas Day, he’s hitching home to Geordie land”.

Silken”
‘Nobody’s Child’ tells a sadly familiar story of a boy nobody wants left to fend for himself by turning to violence and crime. “The ragged kid nobody wanted, left alone to ramble wild. Long ago he was abandoned. Nobody’s child”. Then later in the song, “Learned to swing a broken bottle. Learned to use his fists and knife. In the bar rooms and bordellos of his life”. It’s set in the cowboy era of the American west, but it could just as easily be a modern-day estate in any large city.

However, this is by no means a maudlin album. There’s the light hearted ‘Good On You Son’ and ‘Nobody Does That’, and a couple of laugh out loud tracks, ‘My Bacon Roll’ and ‘Heavy Up’. The former is a beautiful and poignant song that draws you into its silken embrace, before you realise it’s about a sandwich! There’s also some musical humour too, as towards the end of ‘Just A Boy Away From Home’ the slide-guitar solo subtly morphs into the melody of ‘You’ll Never Walk Alone’.

Brilliantly catchy”
I’m a fan of records which are named for something other than the track which the marketing team think sounds the most commercially promising. Down The Road Wherever avoids this pitfall. The line is taken from the lyrics of ‘One Song At A Time’ and is redolent of the long American highway stretching to the horizon on the cover of the CD.

This then is a great album. Will it be commercially successful? Only in as far as the sales you would expect for an artist this famous. Are there any hit singles on it? Unlikely. That said, I’m confident that, at this stage of his life and career, Knopfler won’t worry unduly about that. I know this because that’s the point made by the brilliantly catchy ‘Heavy Up’: “How much is your praise really worth? About the same as your thumbs down. And why should I lighten up for you, if you can’t heavy up for me?” Indeed.
8/10
I know the way I can see by the moonlight
Clear as the day
Now come on woman, come follow me home

hunter

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Re: Reviews
« Reply #23 on: October 31, 2018, 05:43:03 AM »
Nice review.

I love this line from the song Heavy Up:

“How much is your praise really worth? About the same as your thumbs down."

That sounds very Mark.

Onlinegoon525

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Re: Reviews
« Reply #24 on: October 31, 2018, 03:53:42 PM »
‘This then is a great album.’  ‘8/10’
Does anyone else find these remarks inconsistent? If an 8/10 album can be described as great, what adjectives do you use for a 9 or 10 out of ten album?

OfflineEddie Fox

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Re: Reviews
« Reply #25 on: October 31, 2018, 05:14:02 PM »
‘This then is a great album.’  ‘8/10’
Does anyone else find these remarks inconsistent? If an 8/10 album can be described as great, what adjectives do you use for a 9 or 10 out of ten album?

Maybe a masterpiece  ;D
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OfflineRobson

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I know the way I can see by the moonlight
Clear as the day
Now come on woman, come follow me home

Offlineskydiver

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Re: Reviews
« Reply #27 on: November 11, 2018, 03:13:08 PM »
Thanks Robson for letting us have access to the Times article, I enjoyed it.

Offlinemschaap

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Re: Reviews
« Reply #28 on: November 11, 2018, 04:19:00 PM »
Thanks for the link! Very nice article, and a first response to the whole RRHF-thing!

Offlinedustyvalentino

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Re: Reviews
« Reply #29 on: November 11, 2018, 08:37:24 PM »
Thanks Robson, nice to have a couple of new stories.

Not sure I believe Sid Vicious wanted a Dire Straits badge but you never know. :)
"You can't polish a doo-doo" - Mark Knopfler

 

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