I listened to some other stuff on albums lately and it crossed my mind how different it is to me listen to any new album by any other artist and a new MK album. New MK albums are literally absorbted note by note, word by word, and I am sure I am in the hands of someone who really puts very much effort in every single note and word on the album.
Really, about the lyrics it is phenomenal how phantastic MK is able to write and deliver - there is not a single word or line I would consider at the wrong place or annoying or disturbing. For example "down the line" is mentioned more than once on this album and I am sure it was not mentioned before on other albums. (please correct me, waterline doesn't count). Same with "subs", in Basil and in Mighty Man, never used before. ("get Lucky" was used on Get Lucky the song and on You Can't Beat the House, never used before). What I want to say is that he really is fully aware of creating songs that belong together as an album and that create a unique cosmos of words, notes and lyrics if you like. I am sure the word "Tracker" resonates somewhere in "Blood On The Tracks", because there have never been clearer echoes of Bob Dylan than on this album, and we know BOTT is his favourite album.
LE