I believe that this LP collection has many flaws, but hardly the ones you mention. I mean, it is an audiophile release for vinyl lovers, and the fact that they offer remastered (which I don't know if it is good) on 180gr vinyl (simply vinyl and a couple other companies offered all but one of the records in 180gr, but limited run and quantities and pretty expensive) two of them as double vinyls (BiA with the CD times-and OES with better sound surely-still wonder how they managed to fit 60+ minutes in a single vinyl) and at a resonable price if ordered from Amazon.co.uk. is good enough for me.
I know that it is an overkill anyway, having heard all these albums a zillion times and having multiple copies from around the world.
But I can only complain for these things:
1.I would expect a full discography, including Alchemy, On the night and Live BBC.
2.I would expect an extra double LP with all the B-sides, and non-LP tracks, or the ones appearing as bonus at the various compilations.
3.I would love (but hardly expect at least not in vinyl) out-takes, live etc. The box is an expensive item as it is, that would only attract DS fan with a vinyl addiction. Extra unreleased tracks could and should be issued seperately on CDs. Vinyl would be great but it is more expensive and with a smaller consumer base, no matter how many they rediscover it. It probably wouldn't have been viable. And then it is the matter of volume. You can fit in a CD, what you can fit in 2, some time 3 sides of vinyl.
4.I would love and expect to have a new book, with details,lyrics, photos of every cover&back cover & inners+ label of LPs and 12'' maxis and 7'' singles issued around the globe (in the Dylan-bootleg series no8 fashion) , interviews and essays, accompanying this release.
5.I don't want no scarfs, pebbles, headpins and similar memorabilia. They can keep them and give us music.
6.An extra live in the box (from 1980, 1982-3-5) would be more than welcome but it should be a seperate release as well.
I can't think anymore right now, but I think that MK is not interested about the past so much in order to spend time working on it. After all he produces new music all the time and to look back would stoll him, wih dubious results for a wider audience. (Yes money has everything to do with this) After all the CDs, in HDCD or similar audiophile formats have been issued in Japan in such boxes, only they are too expensive to import.
Listening to Pink Floyd's -The Wall immersion, I wondered how many times I am going to listen to the extra material and if it interests that many people to begin with. I guess the same goes for Dire straits.