Alright, after a weekend of not doing much more than listening to this album, here's my definite hit list:
1. Seattle. Must be one of the greatest song's he's ever written. Top this, any of you songwriters out there!
2. Haul Away. I first thought it should have been recorded faster, like he plays it in the EPK. Not so sure now, it works that way, too. Amazing.
3. Bluebird. A perfect example of how Mark can take a "normal" blues pattern and then make more of it, somehow. That's not the case for all the blues songs on this album, unfortunately.
4. Red Bud Tree. Just the way he sings "... a place of ferns and grass" makes me love it. Don't know why, it just has that kind of feeling only he can create.
5. Kingdom of Gold. Is it too much, with the choir and everything? I don't think so; there's enough irony to this song. Brilliant.
6. I Used to Could. Kim Wilson adds a lot to this album. Together with Today is Okay, it's the best of the traditional blues songs on here.
7. Privateering. You gotta love it, even if I don't like the comped production, the fading out of the choruses etc. But the song's too strong to really take damage.
8. Yon Two Crows. He could have done without the pasted intro, but still. Great knopfleresque drive in the lyrics and guitar work.
9. Radio City Serenade. Just as good as A Night in Summer, Long Ago, of which it reminds me. Beautiful! And did anyone notice the intro, the link between "Gotta Have Something" and this?
10. Today is okay. Love the syncopated rhythm. Keep humming it all day.
11. The Dream of the Drowned Submariner. I usually hate synths, but have to admit (grudingly) that they are kind of necessary here, to create the submarine atmosphere. And what a melody.
12. Corned Beef City. The long awaited rocker. Simple and strong.
13. Gator blood. Just for that crying guitar "solo". Ha, Mark has come a long way with his solos!
14. After the Bean Stalk. Well, you either love or hate this, I guess. I love it. Whaaa-wha-whaaaa ...
That makes 14 great songs