Let's see now, as for many, GH is for me very much a mixed bag.
* The No Can Do riff was certainly good enough for a song, but I'm not sure that Mark made the most of it and the song drags
* Bonaparte is excellent, even though we're all tired of it live
* Darling Pretty is wonderful, with that fat Les Paul sound
* Je Suis Desole is great, love the violins, they sound like waves or a boat on the water, very fitting
* The title song, Nobody's got the Gun and Night in Summer all sound rather bland to me
* Several outtakes were outstanding: Gravy Train, What Have I Got to Do, Tall Order Baby
I find it interesting to note that Mark was not just into folk music during this period, but his songwriting also had a distinct pop element, for example in Darling Pretty with its catchy lyrics and sort-of-tonal/key-raise at the end. In essence, I find GH partly more commercial than OES, with a lot of slower and longer numbers as well. This side of Mark's music has been pretty absent since, or at least since STP.