After reading many reviews and hearing various audience-recordings and a couple of Simfy-recordings I thought I'd better give my comments after being at one of the gigs. So here are my comments:
Border ReiverGood choice to kick-off with this song. Playing on the Fender Strat gives this song a real boost. The studio-version sounds boring compared with the live-versions. This 'Amsterdam'-version is no exception and rocks. Difficult to say if it is better than previous live-versions. Defenitely, it received a very warm welcome by the audience.
What it isThe flute/violin part during the break is a nice addition. Guitar sounds a bit weak. But that's for most live-versions of What it is. The guitar-playing on the studio version is better.
Sailing to PhiladelphiaNice one, great atmosphere. A pity that no-one took the second vocal.
CoyoteAs mentioned before, Mark started singing too early. Guy was about to start his synth-loop and suddenly Mark started with the first verse. I think Coyote works better live than Cleaning My Gun. Cleaning My Gun is a very strong song on the album, one of the better songs, but live it's another story. Maybe because Mark plays all the guitars on the studio-version? It's like Silvertown Blues. Great on the record but live it didn't work (listen to the Munich-soundcheck 2001).
Back to Coyote: despite Mark's mistake, it's a great 'bluesy' tune. But the get rid of that crappy synth-sound, it doesn't fit the live-version.
Prairie WeddingGreat tune, nice atmosphere.
Hill Farmers BluesNice to hear this one again, although I heard a better playout in the past. Same as for Border Reiver, the live-version is far better than the studio-version.
Romeo and JulietNice played, although I don't like Richard's playing here. But that's personal. Compared with the Straits-versions, it lacks some energy. Best versions of R&J are the 'long' versions with Chris White on sax, as played during the first part of the OES-tour.
Sultans of SwingAlways nice to hear. It rocked a bit, but I heard it better in the past. What I'm really missing in this song is the 'final' solo-part as it was there since the 80's. Solos in a logical order, almost telling a story. That was a very strong part of SoS-live. The outro of SoS is not as strong as it was in the past.
Done with BonaparteHeard it to much, although the playing of Micheal McGoldrick is a real addition to this song.
MarbletownFor this one same as the opening track: the live-version is far better than the studio-version.
Donegan's goneSounds better than during the Shangri-La tour. Starts great, with some nice slide-work.
Speedway at NazarethAs always, it rocks, full of energy. Nice to hear the flute in this song. As long as it will be played in this way, it won't be boring!
Telegraph RoadTelegraph Road is a nice song, and this evening was no exception. Heard some mistakes during the final part of Telegraph Road. But I heard it too many times now. Time to replace it with Tunnel of Love, although I have my doubts if Mark could play ToL with the same concentration as in the early 90's.
Brothers in ArmsDon't like this version of Brothers In Arms. Prefer the more powerful versions of this song (like Mandela 1988). I would say stop playing it and replace it with Piper To The End.
So Far AwayThe sound of his Signature Strat fits the song better than his Sunburst Strat, although I don't like the use of the tremelo-arm on this song. The Wembley '85 version remains my favourite live-version of So Far Away. Nevertheless, as an encore it's good enough, and most people in the audience likes it.
Piper To The EndNice tune to hear live. Works better live than the studio-version does. As I mentioned before, replace Brothers in Arms with Piper To The End. And play Wild Theme or Going Home as the last tune. That's what's really missing. No MK/DS-concert is complete with one of the Local Hero-tunes. Same goes for this one. Don't get me wrong, I like Piper To The End, but not as the closing song!
GeneralVery good sound-quality, better than the last tour. Audience was enthusiast. Mark's voice is really great. It gives some songs a real boost.
Some pictures of this gig:
Regards,
Lars B.