Jackal, that is the attitude! We sometimes forget that musicians are people like us and a little tact in matters that seem to bother an other human being is in order. Of course I can understand DMG & Pottel's argument, because the musician uses the journalist at least as much to promote his work. But he is not asking the questions and he has every right not to answer, or in this case stop altogether with the danger of losing a part of his audience, while the journalist is probably out of harms way - playing it safe. Maybe DK should ask the journalist if he knows the guy his wife slept with last night and sure was not the journalist himself. That would also intrigue (the other word for interest) the world. The intention of the interviewer is not just to please his audience at all expenses. His guest is not a dancing bear.
What I don't get is the argument about going to his performances were it not for his previous band. OK, he was in DS. He is a musician. Should he stop performing? He can't change the past. Why is it bad? Why should he be punished for that? MK is no longer in DS. Should he stop playing? Of course he plays in bigger venues and that is his reward for writing more popular songs. If people go to DK concerts just for the former glories, let me tell you they are bound to be let down. After all I haven't seen an ADIT site. Have any of you seen one? And the same goes to the straits situation. Their concerts are actually good. The best tribute band of them all with real members from the original straits. Would I go to their concerts? I don't know, but it is all about music not ethics or a feeling about right and wrong. And it is more honest and fair, even if it bother us. Maybe we have some secret hope that we could travel back in time to see DS. And as I said before, who would buy an Alan Clark album of originals, even if it was the best music of the year. Almost none, (see all the other solo ex-DS efforts, bar MK, or even with MK sales wise) since the music industry is more keen in promoting for the 10th time the Pink Floyd re-issues and everybody buying for the new covers and having it sit next to all the previous editions. The money spent for that, would deprive any new artist of healthy sales. A good example is John Martyn. He was a fantastic musician with albums so good you can not help but wonder why he wasn't huge. And he had the right friends. Gilmour has even toured with him as a simple guitarist. Massive attack mention him. A friend of Nick Drake but I guess even Drake was a passing trend for most, and nobody cared to dig a bit and find. He was there but never made it. Even Phil Collins (dusty sorry, some kind words for Phil) helped him by producing an album and contributing in more. But no, nothing. And what's more he wasn't even a ex-member of DS, to deserve such a treatment.
Well I got this load of my back, sorry guys, but I was pissed off when he died and even then he received a small tribute for his great work.